Tyler Perry has spent much of his acting career in ladies clothing, playing his on-screen alter-ego Madea. There have been six movies centered around the feisty, opinionated old woman, and the character has also made guest appearances in other Perry movies over the years. However, "A Madea Christmas", which was released last holiday season, made only $52 million (the second lowest in the franchise). Perry's hoping to add to that total when the DVD is released on November 25th.
It's no surprise, with Madea's popularity apparently sliding, that Perry has been looking to widen his acting scope. Recently he did a nice job in the very small role of attorney Tanner Bolt in "Gone Girl". Now Perry's getting into the world of animation, and including his trademark character. "Madea's Tough Love", a PG-rated hand-drawn animated film, is set to be released on Digital HD January 13th and on DVD/VOD January 20th.
Even though the animation itself looks cheap in comparison to what were used to, I'm surprised that Lionsgate didn't option this for theaters. It could have done well, especially with families looking for something over the usually bare mid-January period. Based on the first trailer (link from Animation Scoop), Madea is in prime form (though with less adult humor and bad language). And because she's animated, the situations are bound to be wilder than ever.
I've always enjoyed the Madea character, especially when placed within the right, satirical material. Hopefully "Madea's Tough Love" will be a fun kick-off to what will be a busy 2015 in animation.
"The Imitation Game" is one of those Awards Season films every studio dreams of having on their "For Your Consideration" list. The true-life drama captured the People's Choice Award at the Toronto Film Festival and it's destined to be a favorite among voters over the next few months, as is star Benedict Cumberbatch, who plays British mathematician and WWII code-breaking genius Alan Turing.
Adapted from the book, "Alan Turing: The Enigma" by Andrew Hodges, screenwriter Graham Moore and director Morten Tyldum present us with multi-layered, enriching, moving and high-stakes love stories through three different periods of Turing's life. It's a lot to handle early-on, but as the film progresses, it becomes clear why all these elements are necessary.
As a teenager at an all boys' boarding school, Turing is bullied for being smarter than everyone else and a little different. It's during this period when he develops a fascination with and a talent for solving puzzles and breaking codes. At the same time, he's trying to develop his own identity. In addition we see Turing dealing with life after the war (1951 - which serves as present time). The British police are investigating Turing, believing he may be keeping more secrets than those he held while working during the war.
However, the majority of the film is set during wartime. Joan Clarke (played by Keira Knightley) and the other top code breakers in the UK are recruited by the military and brought to Britain's Bletchley Park, in hopes they can solve Germany's Enigma Code machine, which everyday sends out orders to the Nazi troops where and when the next attacks will take place. Turing sets-out to create a machine of his own. It's essentially the first computer: a giant device that he (and only he) believes will allow him to intercept the Nazi messages and break their complicated, unsolvable codes. Turing calls it 'Christopher'.
You may already know some of Turing's life story before seeing "The Imitation Game", but in no way will that detract from your appreciation of this film. Tyldum masterfully weaves together these three phases of one life, resulting in a narrative that is easy to follow yet complex enough to genuinely surprise at just the right moments. In an early voiceover we are told to "pay attention", and that turns out to be the right advice, because you can rarely predict what's coming next.
I didn't expect Cumberbatch to be this impressive. It's a heavily emotional role, with dynamics of love, hate, true love and true hate. Through Cumberbatch's bold and brave performance, we are able to understand the turmoil Turing is going through 24/7, and why breaking the Enigma Code, the most important thing in his life, can't solve all of his problems. Knightley, who plays the lone female on the code-breaking team, is also excellent. She and Cumberbatch have pitch-perfect exchanges, including one heartbreaking scene at the end of the film, which showcases both actors and the authenticity they bring to these roles. Knightley will be in the mix for Best Supporting Actress consideration.
"The Imitation Game" presents a lot of serious ethical issues, which you'll think about long after the credits end. Tyldum has crafted a film about a group of people we truly care about, looking to do the impossible, and dealing with the harsh realities of what that may bring. It's suspenseful, surprising, sad...and one of the best films of the year.
On The Official LCJ Report Card, "The Imitation Game" gets an A-.
"The Imitation Game" opens in Limited Release on November 21st.
Comedy is Bill Murray's forte. From "Caddyshack" to "Ghostbusters", "Groundhog Day" to "Garfield", Murray has made us laugh for decades. In 2003, he took a dramatic turn in "Lost in Translation", which earned him an Oscar nomination. Now, as a cranky old man in "St. Vincent" - his most buzzed-about role in over a decade - Murray proves that he can deliver the right mix of comedy and drama in this sweet, satisfying film.
Murray's Vincent lives with his cat in a small house in Brooklyn. He drinks, smokes, and regularly heads over to Belmont Park to bet the horses in hopes of hitting it big and fixing his financial problems. Vincent's crankiness grows with the arrival of his new next-door neighbors: Maggie (Melissa McCarthy) and her young son Oliver (newcomer Jaeden Lieberher). Maggie is going through a separation with her husband and has left him to start fresh with her son. She's a hospital tech and works long hours, often into the evening. So she needs an after school "babysitter" for Oliver and Vincent needs the $11 an hour, so he becomes the guy. The relationship between this unlikely pair is the heart and soul of the film.
And "St. Vincent" does have heart, and a little soul, but it's hurt by a story that's way too simple. Cliche situations and characters dominate the script, which includes very few surprises. This is a movie that's solely dependent on the performances, and Murray is in top form, though I don't see him getting much awards attention because the film itself is very light. He and Lieberher are a likeable pair as characters and actors. The 11 year old has great screen presence and holds his own with the veteran cast. McCarthy, known for her outrageous, over-the-top roles, tones it way down here and is genuinely believable as the overwhelmed, frustrated and caring mother. And the always hilarious Chris O'Dowd ("Bridesmaids", "The Sapphires") has some shining moments as Oliver's Catholic elementary school teacher.
There are some subplots involving supporting characters that don't work nearly as well. Naomi Watts plays Vincent's "companion", a pregnant "Lady of the Night", complete with a not-so-convincing Russian accent. And Terrence Howard pops-in for a few scenes, as part of an unnecessary storyline.
"St. Vincent" starts promising with some big laughs and clever moments. It then flattens out, taking on a more conventional "dramedy" tone before an effective and sentimental conclusion. We're left with an overall message about people not always being what they seem, and that's fine, though I was expecting something a little stronger.
On The Official LCJ Report Card, "St. Vincent" gets a B-.
"The Book of Life" is Reel FX Animation Studios' follow-up to last year's Thanksgiving-themed comedy "Free Birds". Here the studio takes-on a different holiday with the help of producer Guillermo del Toro and visionary director Jorge Gutierrez, as "The Book of Life" breathes new life into the Mexican fiesta - The Day of the Dead.
Gutierrez uses a clever device - having the story not only narrated, but designed around a group of school kids visiting a museum. Mary Beth, their tour guide (voiced by Christina Applegate) takes them to a special section of the museum where she unveils the The Book of Life, and proceeds to tell them the epic saga of three childhood friends living in Mexico - two boys and a girl. Young Manolo and Joaquin are both in love with the lovely Maria. When she is forced by her father to attend boarding school in Spain, the boys promise to wait for her to return.
The rulers of the two afterlife worlds - the kind and beautiful La Muerte of The Land of the Remembered (home of the dead who the living still think about) and the evil Xibalba of The Land of the Forgotten (for those who die and are forgotten), make a wager on which boy will end-up marrying Maria when she comes back home.
Years later Joaquin (voiced by Channing Tatum) has become a proud and powerful soldier, as his father once was, willing to protect the small town from invaders. Manolo (Diego Luna) has also followed in his father's footsteps, becoming a bullfighter. But his true passion is music. When Maria (voiced by Zoe Saldana) finally returns, she is pressured into making a choice between the two suitors. But things get complicated when Xibalba, worried he's about to lose the bet, decides to interfere, sending Manolo on a wild journey that tests his courage and determination to win Maria's hand.
"The Book of Life" is a comedy, a spiritual adventure, and a musical. But above all, it's a love story. The film moves along at such a frantic pace that, at times, it's difficult to keep-up with all the dialogue and the frenetic action. There are a lot of attempts at humor, including plenty of goofy characters and situations. Much of it doesn't work, but there are a few bright spots, including the students, who pop in and out throughout the film and Ice Cube, who appears late as the mighty Candle Maker.
By far the best thing about "The Book of Life" is the remarkably gorgeous CGI. You could argue that "The Book of Life" has now written its own chapter in The Book of Beautiful Movie Animation. The characters in this "story within a story" are designed as marionette puppet-like toy figures, each with a specific look that makes it unique, vibrant and extremely fun, especially for a young audience. And The Land of the Remembered is a visual wonderland of fantastic images and brilliant colors. And there are several basic but very sweet and effective songs.
"The Book of Life" is rated PG for some mild action/violence and dramatic elements, mostly dealing with the concepts of death and the afterlife in inventive and appropriate ways. While the script isn't on the same level as the best of Pixar, DreamWorks, or Sony Animation, the film has a big heart, providing a look at this culture and its emphasis on family and true love. This is a solid, a pre-Halloween choice for families and a must for anyone who wants to see how imagination and talent can produce the next great accomplishment in the animation art form.
On The Official LCJ Report Card, "The Book of Life" gets a C+.
"Fury" is one of the bloodiest, saddest, and most authentic-looking war movies in recent years. Director David Ayer ("End of Watch") holds nothing back in depicting the gritty ugliness of WWII through a five man tank platoon assisting the Allies in finishing-off the Nazis in 1945 Germany.
Brad Pitt, who won his first Academy Award earlier this year as a producer of Best Picture winner "12 Years a Slave", stars as Captain Don "Wardaddy" Collier. He leads a crew of skilled soldiers: Boyd (Shia LaBeouf), Trini (Michael Pena), and Grady (Jon Bernthal from "The Wolf of Wall Street"). Their fifth member has just been killed in battle as the story begins. He's replaced by a new recruit named Norman ("Percy Jackson"'s Logan Lerman), who was trained for a desk job, not to kill Germans. But that's exactly what he's now forced to do under the direction of a leader he initially despises, but will learn to follow as he and his "band of brothers" try to play a major role in helping end the war as soon as possible.
Ayer, who also wrote the script, takes time in building the tension and suspense, first allowing us to get to know these characters. Pitt's Collier is a complex man. He leads the others with confidence and wastes no time turning a frightened Norman into a soldier who will shoot Nazis on sight. However, there are moments when the captain is shown away from the action, reflecting on everything that's taking place, possibly questioning his methods and the madness of it all. We see, simply through his facial expressions, that none of this is easy for him.
"Fury" is two hours and 15 minutes, which gives each scene the space to develop. But it feels shorter, and only drags briefly during the extended scene involving the soldiers and two German women they encounter in a town they've just secured that, while long, shows a brief glimpse of humanity during this period of evil and chaos before reality returns. It's a difficult scene to watch, with some heartbreaking moments, and features Lerman's best work. He and Pitt are the centerpieces of the film, and they share some moving exchanges. The script includes some religious themes and symbolism, which adds to its strong emotional strength. Eventually we get a typical Hollywood showdown ending, pitting the five Americans against a group of three hundred German soldiers. Fortunately, Ayer is able to pull-off a conclusion that's anything but phony.
For intense violence, including many disturbing images and strong language, "Fury" is easily one of the hardest R-rated action films of 2014. It's also a far departure from Sony's other 2014 WWII drama, "The Monuments Men". That film's tone was way too light for the subject matter. "Fury" is right on target: mature, straightforward and meaningful.
On The Official LCJ Report Card, "Fury" gets a B. For once, I suggest you leave the theater when the closing credits begin because they feature a series of grim, bizarre images of the war, in blood-red, with music out of a horror movie. They convey a tone which would have been much more appropriate for the beginning of the movie than the end.